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Then the MIDI started drifting. Notes recorded at 120 BPM would play back at 119.3, then 118.7, then 115.2, like a tape machine dying of consumption. He recalibrated, compensated, bounced to audio. But the audio itself began to degrade—first a little noise, then a warbling chorus effect, then occasional bursts of static that sounded almost like speech. Crack.Ilya.Efimov.Nylon.Guitar.KONTAKT.rarl
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