The killer's next two victims were 18-year-old model, Michelle Bennett and 20-year-old model, Elizabeth Yozamp. All of the victims had one thing in common; they were aspiring models who had appeared in various men's magazines.

When police questioned Randall, he denied any involvement in the murders. But as they dug deeper, they discovered a web of deceit and a dark obsession with the models he had photographed. Randall had a fascination with the centerfold models of Playboy magazine, and he had begun to see himself as a kind of Svengali, controlling the lives and destinies of the women he photographed.

The movie, directed by Dean McKendrick, follows a group of supermodels competing for a prestigious centerfold spread.

The film's premise of a predator targeting models is a direct echo of Christopher Wilder’s 1984 cross-country killing spree.

Enter (portrayed by grizzled character actor Michael O’Keefe), a burned-out vice cop who hates the fashion world's superficiality. Harding is partnered with Detective Maya Reyes , a sharp, cynical officer who knows the industry's underbelly intimately. Their chemistry is the classic "bad cop/more bad cop," but their dialogue crackles with a realism rare for the genre.

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Unmasking the Glamour: Behind the Scenes of "Model for Murder: The Centerfold Killer"

Supermodels (played by stars like Sarah Hunter and August Ames ) struggle with the pressures of the industry and each other, unaware that they are being targeted.