遠野奈津子とは？ わかりやすく解説 - Weblio辞書
イメージビデオ * 胸いっぱいの愛（1995年8月、英知出版） ISBN 4754272137. * Lemon Song（1995年12月、英知出版）ISBN 475427217X. Weblio辞書
What makes so powerful is that she never confirms any interpretation. Like a great poem, it resists closure.
In the pantheon of Japanese City Pop—a genre currently enjoying a fervent, vinyl-fueled renaissance halfway across the world—certain tracks act as pillars. There is the driving funk of Tatsuro Yamashita, the sophisticated sorrow of Taeko Ohnuki, and the glossy excess of Mariya Takeuchi. But tucked away in the 1982 album Mignonne lies a track that operates on a different frequency: Natsuko Tohno’s "Lemon Song."
When Tohno sings, she employs a technique that blurs the line between singing and speaking. There is a palpable sense of resignation in her delivery. She isn't begging a lover to stay, nor is she angry. She is observant, documenting the decay of intimacy with a weary clarity. The production places her voice right at the front of the mix, dry and present, making the listener feel as though she is sitting directly across the table.
Lemon Song Natsuko Tohno Portable
遠野奈津子とは？ わかりやすく解説 - Weblio辞書
イメージビデオ * 胸いっぱいの愛（1995年8月、英知出版） ISBN 4754272137. * Lemon Song（1995年12月、英知出版）ISBN 475427217X. Weblio辞書 Lemon Song Natsuko Tohno
What makes so powerful is that she never confirms any interpretation. Like a great poem, it resists closure. Like a great poem, it resists closure
In the pantheon of Japanese City Pop—a genre currently enjoying a fervent, vinyl-fueled renaissance halfway across the world—certain tracks act as pillars. There is the driving funk of Tatsuro Yamashita, the sophisticated sorrow of Taeko Ohnuki, and the glossy excess of Mariya Takeuchi. But tucked away in the 1982 album Mignonne lies a track that operates on a different frequency: Natsuko Tohno’s "Lemon Song." But tucked away in the 1982 album Mignonne
When Tohno sings, she employs a technique that blurs the line between singing and speaking. There is a palpable sense of resignation in her delivery. She isn't begging a lover to stay, nor is she angry. She is observant, documenting the decay of intimacy with a weary clarity. The production places her voice right at the front of the mix, dry and present, making the listener feel as though she is sitting directly across the table.