Kishan enters a life of crime to provide a better future for Karan, but their relationship is tested when Karan unknowingly becomes entangled with Kishan’s psychotic boss, Anna ( Nana Patekar Raw Realism: Unlike the exaggerated action films of its era,
Initially, it struggled in single-screen theaters. However, the urban multiplex crowds (though multiplexes didn't exist yet, the urban elite) and the critical fraternity went berserk. It was India’s official entry to the Academy Awards (Oscars) for Best Foreign Language Film that year. parinda 1989