The 2018 version trimmed the excessive violence of the original and pumped up the fashion (those neon blazers!), the travel porn (Shanghai, London, the countryside), and the sheer absurdity of the rich. The sub Indo didn’t just translate the Mandarin; it localized the chaos. A joke about a rich kid’s yacht became funny when the subtitler used the word kayak (like/as if) in a way that felt distinctly Indonesian.