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Characters actually talk through their problems instead of letting silence create unnecessary drama.

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We are attracted to the familiar (the person who reminds us of a parent) but we grow through the unfamiliar (the person who challenges our patterns). A great romantic storyline plays with this paradox. The "bad boy" isn't attractive because he's dangerous; he's attractive because he represents a freedom the protagonist denies herself. The storyline is the process of realizing that the "unknown" partner actually offers a more authentic version of the "known" self. Characters actually talk through their problems instead of