He skipped to a frantic Jazz track. The brass section punched through the speakers, the attack sharp enough to cut glass, the reverb tailing off into a smoky, virtual jazz club. The "Update" hadn't replaced the sound; it had liberated it.
He started with the Piano. In the original, the sustain was artificial, a quick fade-out to save memory. Elias layered a modern impulse response, extending the decay naturally until it rang out like a real grand in a cathedral. He cross-faded the velocity layers so that a hard strike didn't just get louder—it got brighter, grittier. roland sc88 pro soundfont updated
Then the strings came in.