Take a simple melody (e.g., “C Jam Blues”). Play it in C, then immediately transpose it up a half step to Db, then D, then Eb. Do not stop. Use no slide positions. Just your ear and your arm. This trains the kinesthetic map required for sight reading.
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This feature explores the unique challenges of jazz sight reading on trombone and the strategies to transform it from a source of anxiety into a creative asset. jazz sight reading trombone