-prefix-free lets you use only unprefixed CSS properties everywhere. It works behind the scenes, adding the current browser’s prefix to any CSS code, only when it’s needed.
“[-prefix-free is] fantastic, top-notch work! Thank you for creating and sharing it.”
— Eric Meyer
<link> or <style> elements and adds a vendor prefix where neededstyle attribute and adds a vendor prefix where needed<link> or <style> elements, style attribute changes and CSSOM changes (requires plugin).css() method get and set unprefixed properties (requires plugin)@import-ed files is not supportedstyle attribute) won’t work in IE and Firefox < 3.6. Properties as well in Firefox < 3.6.Check this page’s stylesheet ;-)
You can also visit the Test Drive page, type in any code you want and check out how it would get prefixed for the current browser.
Just include prefixfree.js anywhere in your page. It is recommended to put it right after the stylesheets, to minimize FOUC
That’s it, you’re done!
The target browser support is IE9+, Opera 10+, Firefox 3.5+, Safari 4+ and Chrome on desktop and Mobile Safari, Android browser, Chrome and Opera Mobile on mobile.
If it doesn’t work in any of those, it’s a bug so please report it. Just before you do, please make sure that it’s not because the browser doesn’t support a CSS3 feature at all, even with a prefix.
In older browsers like IE8, nothing will break, just properties won’t get prefixed. Which wouldn’t be useful anyway as IE8 doesn’t support much CSS3 ;)
Test the prefixing that -prefix-free would do for this browser, by writing some CSS below:
Mendoza weaves together three fictionalized stories that ultimately collide with Delgado's real-life rampage:
Many students and literary enthusiasts search for a PDF of Satanás due to its inclusion in university curricula (especially for courses on contemporary Latin American narrative, violence, and urban decay). Others are drawn by the novel’s reputation as a dark, relentless exploration of how ordinary people can harbor—or become—monsters.
Mario Mendoza's 2002 novel Satanás explores themes of urban violence and evil, loosely based on the 1986 Pozzetto Massacre in Bogotá. The narrative follows four characters whose lives intersect in a dark exploration of human malice, earning the work the 2002 Biblioteca Breve Award. Read the literary review on Calaméo . Mario Mendoza - Satanás - Calaméo
Mario Mendoza’s 2002 novel Satanás is a cornerstone of modern Colombian literature, blending crime fiction, philosophical thriller, and psychological horror. Based on the real-life 1986 Pozzetto Massacre in Bogotá, the book weaves together three seemingly separate storylines that converge on a single, devastating act of violence.
Mario Mendoza’s Satanás —as presented in the PDF edition—stands as a seminal example of how . By weaving together authentic documents, fragmented narrative voices, and vivid urban portraiture, Mendoza crafts a work that is simultaneously a gripping thriller, a social indictment, and a study of collective memory.
Mendoza weaves together three fictionalized stories that ultimately collide with Delgado's real-life rampage:
Many students and literary enthusiasts search for a PDF of Satanás due to its inclusion in university curricula (especially for courses on contemporary Latin American narrative, violence, and urban decay). Others are drawn by the novel’s reputation as a dark, relentless exploration of how ordinary people can harbor—or become—monsters. satanas mario mendoza pdf
Mario Mendoza's 2002 novel Satanás explores themes of urban violence and evil, loosely based on the 1986 Pozzetto Massacre in Bogotá. The narrative follows four characters whose lives intersect in a dark exploration of human malice, earning the work the 2002 Biblioteca Breve Award. Read the literary review on Calaméo . Mario Mendoza - Satanás - Calaméo The narrative follows four characters whose lives intersect
Mario Mendoza’s 2002 novel Satanás is a cornerstone of modern Colombian literature, blending crime fiction, philosophical thriller, and psychological horror. Based on the real-life 1986 Pozzetto Massacre in Bogotá, the book weaves together three seemingly separate storylines that converge on a single, devastating act of violence. Based on the real-life 1986 Pozzetto Massacre in
Mario Mendoza’s Satanás —as presented in the PDF edition—stands as a seminal example of how . By weaving together authentic documents, fragmented narrative voices, and vivid urban portraiture, Mendoza crafts a work that is simultaneously a gripping thriller, a social indictment, and a study of collective memory.