| Category | Highlights | Criticisms | |----------|------------|------------| | | • Sweeping aerial shots of Mumbai’s skyline, especially at night. • Effective use of handheld cameras during fight scenes for kinetic energy. | • Some night sequences suffer from under‑exposure, making details hard to see. | | Editing (Rohit Prasad) | • Tight pacing in the second act, keeping the “ticking clock” tension alive. | • Abrupt cuts in the climax cause brief continuity glitches. | | Music & Score | • Composer Sanjay–Sukesh delivers a rousing background score that blends Indian percussive elements with western electronic beats. • The song “Zinda Dil” became a chart‑buster. | • Background music occasionally overpowers dialogue, especially in Hindi‑English hybrid scenes. | | Sound Design | • Realistic gunfire and explosions, with an emphasis on spatial audio (good for home‑theater setups). | • Some English‑language tech‑talk scenes have muffled effects, reducing impact. | | Visual Effects | • VFX for the bomb‑defusal sequence and the final bridge collapse are respectable for a mid‑budget Indian production. | • Minor compositing errors (e.g., visible wire rigs) in a few mid‑action shots. |
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