: The film’s first half functions primarily as a family drama centered on the crushing weight of grief following Charlie’s death. The supernatural elements in the second half are often interpreted as extensions of this psychological turmoil. Subjectivity of Memory

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The score, composed by Matthew Herbert, adds to the film's sense of unease, incorporating unsettling sounds and eerie whispers that will leave you on edge. The film's editing is also noteworthy, with a non-linear narrative that adds to the sense of disorientation and confusion.

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