: For audiences of the time, these films provided a temporary respite from social and political unrest, allowing them to negotiate the tensions between traditional Anatolian values and emerging Western lifestyles.
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This era saw a shift toward a male-dominated theater audience, as families began staying home to watch television.
: Rich characters were often shown in "claustrophobic bourgeois houses" with luxury goods, car races, and seaside parties, serving as both a target for moral criticism and a desired symbol of Westernization.