The most contentious sub-genre is the “unauthorized tell-all.” These docs exist in a legal gray zone, using fair use laws to splice in film clips while talking heads (usually disgruntled former assistants or third-tier journalists) speculate about motives. The subject of the documentary is rarely interviewed; they are tried in absentia .
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The entertainment industry documentary is currently the most vital and most dangerous genre in nonfiction filmmaking. It is vital because it has finally torn down the old Hollywood publicity machine, giving voice to the stuntmen, the child actors, and the assistants who were told to “be grateful for the opportunity.” It is dangerous because it trades in righteous fury, and righteous fury makes for bad context. The entertainment industry documentary is currently the most