In recent years, "Come Blow The Horn" has been recognized as a pioneering work in the Swedish psychedelic and folk-rock scenes, with many critics and fans hailing it as one of the greatest Swedish albums of all time. As a testament to its enduring influence, the album has been reissued several times, introducing Fabödjantan's music to new generations of listeners.
The title Come Blow The Horn suggests a communal, almost ritualistic call-to-arms. In Swedish 70s music, horns (brass instruments) were central to the movement. Bands like Egba (featuring horn player Christer Bothén) and Ragnarök (on their Fjärilen i mitt hår 1976 album) used flutes, saxophones, and trumpets to evoke pagan ceremonies. Fabodjantan - Come Blow The Horn - 1978 - Swe -...
And keep blowing that horn. Somewhere, in a dusty attic in Dalarna, a lone copy of Fabodjantan awaits its resurrection. In recent years, "Come Blow The Horn" has