Franssens selects texts from philosophers and poets across history—from Pythagoras himself to Dante and Vondel. In the score, the text setting is paramount. Franssens does not treat the words merely as phonetic sounds; the rhythm of the philosophy dictates the rhythm of the music. A new look at the score reveals how carefully the stress syllables align with the harmonic peaks, ensuring the text remains intelligible despite the thick texture.
Pair the study of this new score with the original 2002 recording by the Netherlands Chamber Choir (Globe GLO 5214) to hear how the old interpretation can be refined using the new performance notes. Then, prepare to be changed. joep franssens harmony of the spheres score new
Harmony of the Spheres. I do see it as my magnum opus and I sketch my world view—with Spinoza as an ally. The Culturium Dutch Composers Franssens selects texts from philosophers and poets across
Open the new score to Movement I, bars 24–32. Sopranos hold a high G while altos descend by semitones every 8 beats. In older editions, this descent looked like a staircase. In the new engraving, you see the connecting each pitch—Franssens’ instruction that no attack should be audible. The sound is that of a celestial slide, not a keyboard. A new look at the score reveals how
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